| 000 | 04879cgm a2200565Mi 4500 | ||
|---|---|---|---|
| 999 |
_c8028 _d8028 |
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| 001 | 797247121 | ||
| 003 | OSt | ||
| 005 | 20190430092109.0 | ||
| 007 | vd cgaiz| | ||
| 008 | 070829s2006 vau000 vleng d | ||
| 020 | _a1598032704 | ||
| 020 | _a9781598032703 | ||
| 028 | 4 | 2 |
_aPD700-01 _bTeaching Company |
| 028 | 4 | 2 |
_aPD700-02 _bTeaching Company |
| 028 | 4 | 2 |
_aPD700-03 _bTeaching Company |
| 028 | 4 | 2 |
_aPD700-04 _bTeaching Company |
| 028 | 4 | 2 |
_aPD700-05 _bTeaching Company |
| 028 | 4 | 2 |
_aPD700-06 _bTeaching Company |
| 040 |
_beng _erda _cDLC |
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| 100 | 1 |
_aGreenberg, Robert, _d1954- _0http://id.loc.gov/authorities/names/no96016672 |
|
| 245 | 1 | 0 |
_aHow to listen to and understand great music / _c[taught by] Robert Greenberg. |
| 250 | _aThird edition. | ||
| 264 | 1 |
_aChantilly, Va. : _bTeaching Co., _c[2006] |
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| 264 | 4 | _c©2006 | |
| 300 |
_a12 videodiscs (approximately 2160 min.) : _bsound, color ; _c4 3/4 in. + _e1 guidebook (22 cm.) |
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| 336 |
_atwo-dimensional moving image _btdi _2rdacontent |
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| 337 |
_avideo _bv _2rdamedia |
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| 338 |
_avideodisc _bvd _2rdacarrier |
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| 340 |
_gpolychrome _2rdacc _0http://rdaregistry.info/termList/RDAColourContent/1003 |
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| 490 | 1 | _aThe great courses, fine arts & music | |
| 500 | _a"Course no.700." | ||
| 500 | _a48 lectures (45 min. each) | ||
| 500 | _av.1 pt.1: Discs 1-3, v.1 pt.2: Discs 4-6, v.2 pt.1: Discs 7-9, v.2 pt.2: Discs 10-12 | ||
| 504 | _aIncludes bibliographical references (guidebooks) | ||
| 505 | 0 | _aPart 1: Lecture 1. Music as a mirror -- lecture 2. Sources: the ancient world and the early church -- lecture 3. The Middle Ages -- lecture 4. Introduction to the Renaissance -- lecture 5. The Renaissance Mass -- lecture 6. The madrigal -- lecture 7. An introduction to the Baroque Era -- lecture 8. Style features of Baroque-era music | |
| 505 | 0 | _aPart 2: Lecture 9. National styles: Italy and Germany -- lecture 10. Fugue -- lecture 11. Baroque opera, part 1 -- lecture 12. Baroque opera, part 2 -- lecture 13. The oratorio -- lecture 14. The Lutheran Church cantata -- lecture 15. Passacaglia -- lecture 16. Ritornello form and the Baroque concerto | |
| 505 | 0 | _aPart 3: Lecture 17. The Enlightenment and an introduction to the classical era -- lecture 18. The Viennese classical style: homophony and cadence -- lecture 19. Classical-era form: theme and variations -- lecture 20. Classical-era form -- minuet and trio: Baroque antecedents -- lecture 21. Classical-era form: minuet and trio form -- lecture 22. Classical-era form: rondo form -- lecture 23. Classical-era form: sonata form, part 1 -- lecture 24. Classical-era form: sonata form, part 2 | |
| 505 | 0 | _aPart 4: Lecture 25. Classical-era form: sonata form, part 3 -- lecture 26. The symphony: music for every person -- lecture 27. The solo concerto -- lecture 28. Classical-era opera: the rise of opera buffa -- lecture 29. Classical-era opera, part 2: Mozart and the operatic ensemble -- lecture 30. The French Revolution and an introduction to Beethoven -- lecture 31. Beethoven's Symphony no. 5 in C Minor, op. 67, part 1 -- lecture 32. Beethoven's Symphony no. 5 in C Minor, op. 67, part 2 | |
| 505 | 0 | _aPart 5: Lecture 33. Introduction to Romanticism -- lecture 34. Formal challenges and solutions in early romantic music -- lecture 35. The program symphony: Berlioz's Symphonie fantastique, part 1 -- lecture 36. The program symphony: Berlioz's Symphonie fantastique, part 2 -- lecture 37. 19th-century Italian opera: Bel Canto opera -- lecture 38. 19th-century Italian opera: Guiseppe Verdi -- lecture 39. 19th-century German opera: nationalism and experimentation -- lecture 40. 19th-century German opera: Richard Wagner | |
| 505 | 0 | _aPart 6: Lecture 41. The concert overture, part 1 -- lecture 42. The concert overture, part 2 -- lecture 43. Romantic-era musical nationalism -- lecture 44. Russian nationalism -- lecture 45. An introduction to early 20th-century modernism -- lecture 46. Early 20th-century modernism: Claude Debussy -- lecture 47. Early 20th-century modernism: Igor Stravinsky -- lecture 48. Early 20th-century modernism: Arnold Schṉberg | |
| 511 | 0 | _aLectures by Robert Greenberg, formerly of San Francisco Conservatory of Music and currently music historian-in-residence with San Francisco Performances | |
| 520 | _aPresents a history and criticism of music and how to listen and appreciate it | ||
| 538 | _aDVD | ||
| 650 | 0 |
_aMusic _xHistory and criticism. _0http://id.loc.gov/authorities/subjects/sh85088794 |
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| 650 | 0 |
_aMusic appreciation. _0http://id.loc.gov/authorities/subjects/sh85088894 |
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| 655 | 7 |
_aVideo recordings. _2lcgft _0http://id.loc.gov/authorities/genreForms/gf2011026723 |
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| 710 | 2 |
_aTeaching Company. _0http://id.loc.gov/authorities/names/nr91045166 |
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| 830 | 0 |
_aGreat courses (DVD) _0http://id.loc.gov/authorities/names/no2003128837 |
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| 942 |
_2ddc _cNBM |
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